Avasthā
Sayanadi Avasthas
The sayanadi avasthas catch a planet in the middle of doing something
The sayanadi avasthas catch a planet in the middle of doing something. Where the other avasthas describe a planet's age, wakefulness or mood, this set of twelve pictures it as a person engaged in an activity: lying down, sitting, watching with a hand over the eye, shining, walking, returning home, seated in an assembly, arriving, eating, longing to dance, bright with curiosity, or asleep. The image is the meaning. A planet found eating is absorbed in consuming its own significations; one seated in the assembly acts publicly and with authority; one lying down has set its work aside, while the shining planet is at its most radiant and visible. The states are not simply good or bad — a sleeping Saturn may be a mercy, a dancing Venus a delight — but each colours how the planet's promises reach you: directly or obliquely, in public or in private, with appetite or with fatigue. Because the state is computed from fine details of the birth moment, two charts that look alike can carry planets in very different postures, which is part of what makes one chart's Jupiter generous in action and another's generous only in intention. Read the sayanadi state as stage direction for the actor the rest of the chart has already cast.
Parashara derives twelve activity states — Sayana (lying), Upavesana (sitting), Netrapani (hand on eye), Prakasana (shining), Gamana (going), Agamana (returning), Sabha (in assembly), Agama (arriving), Bhojana (eating), Nritya-lipsa (eager to dance), Kautuka (delighted) and Nidra (asleep) — from the planet's nakshatra, its navamsa, and the ghatis of birth, with each state's fruit declared planet by planet.
— Brihat Parashara Hora Shastra avasthā adhyāya (śayanādi)
The engine computes the twelve sayanadi states for all nine grahas from each planet's nakshatra, navamsa and the birth ghatis, and shows them in the avastha tool beside the baladi, jagradadi and deeptadi tables. The classical sub-states (drishti, cheshta, vicheshta) derive from the syllables of the native's name, which the platform's forms do not collect — they are deliberately omitted rather than approximated.